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Search resuls for: "Paola Antonelli"


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How do we define furniture? The goal was to land on a wide range of offerings, but there were parameters: To qualify, each piece was required to have been fabricated, even if just as a prototype, within the past 100 years. Lighting was excluded from the debate — “which is nuts,” said de Cárdenas, a former men’s wear designer who started his firm in 2006 — unless it was attached to, say, a desk. (The Italian architect and designer Ettore Sottsass’s illuminated Ultrafragola mirror, which presaged selfie culture by decades, made the cut.) There were no limits placed on provenance, and a piece didn’t need to have been designed by a known name, or even attributable.
Persons: Rafael de Cárdenas, Daniel Romualdez, Modern Art’s, Paola Antonelli, Julianne Moore, Katie Stout, Tom Delavan —, Oki, , de Cárdenas, Ettore Sottsass’s, Antonelli, Charles, Ray Eames, Le Corbusier Organizations: New York Times, Museum, Modern Locations: Italian
Newsletter Sign-up The Logistics Report Top news and in-depth analysis on the world of logistics, from supply chain to transport and technology. “What we wanted to do was to make the invisible visible, to look at the supply chain as a key part of how AI works,” Dr. Crawford said. “The best artists are all geometry and symmetrical work coupled with creativity, and that’s what supply chain is. Some of the artists on display in the MoMA gallery have gone on to create more work centered on supply chains. “When you start to do this research, you see everything differently and the precarity of the supply chain was made so clear to me,” she said.
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